New: Available now • A myth retelling with philosophical depth

“You will walk.” — and suddenly every certainty becomes a question.

In Jerusalem, between Roman occupation and religious order, the cobbler Ahasver clings to rules — order is the only antidote he knows against chaos. But when he refuses a condemned man a sip of water, his safety becomes a verdict: Ahasver must keep walking. Forever.

What follows is an atmospheric epic novel through centuries: faith turns into a battle cry, “order” suddenly wears a uniform, progress tastes of soot — and the modern world works with images, frames, and guilt to steer people. The real theme is not walking, but seeing — and the question: “What does my certainty do to the other person?” Ideal for: readers of philosophical fictionfans of historical materialmyth retellingsreading groups

Keywords: Ahasver mythorder vs. chaossearch for meaningmorality & orderideologieswitnessing

Why you’ll want to read this book

A novel that doesn’t “lecture,” but opens paths of thought — and leaves you seeing differently afterward.

🧭 Myth meets the present

The Ahasver myth as a mirror for modern ideologies, fanaticism, and moral questions.

🏛️ History as a stage

From Jerusalem to the Industrial Revolution: eras in which “order” tips — and people with it.

🧠 Philosophical depth

Meaning, responsibility, power — as lived narrative rather than a dry treatise.

⚖️ Order vs. chaos

An inner conflict made visible in the world outside: how does certainty become violence?

👁️ “Seeing” instead of “walking”

The book asks: what does “being right” do to a person — and where does compassion begin?

📚 Perfect for discussion

Strong material for reading circles: motifs, quotes, scenes — and questions that linger.

Sample: Ahasver’s Journey

A brief impression.

An excerpt

“When the cobbler Ahasver, in Jerusalem, refuses a condemned man a sip of water, it is — to him — merely a decision for order, a boundary that must be upheld. But from that small certainty grows a verdict that blows his life apart: Ahasver must keep walking. Always.”

Dust is the memory of a crowd. It settles on eyelashes, on tongues, into the folds of clothing, and later, when everything is over, you find it again in the creases of your own hands, as if you had shaped what happened yourself.

The alley in front of my workshop emptied slowly, but not neatly. People didn’t dissolve like smoke; they stopped in small groups, talked, pointed, repeated sentences they didn’t understand themselves. Some looked back at my door as if something had happened there that needed judging. A man spat on the stone, half in disgust, half in relief. A woman pulled her child closer, as if she could shield it from eyes. The workshop held its breath. Tools lay still, leather smelled of work, pitch gleamed in the bowl like a dark, patient liquid. But something had shifted. Not visibly — more like a nail someone has loosened just a little: so little the board still holds, but enough that one day it will creak. The sentence in my head remained: You fear everything will break. Outside, the city kept moving as if nothing had happened, and that was precisely what was uncanny. Order can pretend it has won while it already carries cracks. Stepping out the door didn’t happen as a choice, but as a reaction, the way a body reacts to smoke. The alley was brighter than the workshop; dust stood in the sun, dancing as if this were a festival. The noise had moved on, but it was not gone. It still hung between the houses, in the voices that echoed. It drifted toward the edge of the city, to where you finish things you no longer want in the center. My feet carried me. Not fast, not in a rush — rather with an unpleasant insistence, as if something had to be checked. Maybe the Romans. Maybe the crowd. Maybe one’s own hand, whether it had truly stayed on the doorpost.

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What others say

Early impressions of the book.

“A novel that doesn’t retell the myth — it sharpens it into a moral blade.”

— Blogger

“History, philosophy, and contemporary critique interlock — and you don’t put it down without wanting to discuss it.”

— Reader

“The strongest motif is seeing: once you truly look, it’s harder to look away.”

— Reader

About the author

More background, essays, and books: alterstorheiten.info

Hermann Selchow

Born in 1956. Since his youth he has been fascinated by social questions and philosophical concepts. For many years he worked at a well-known German theatre, engaging with the intellectual currents of different eras. Later he moved into other professional fields — and eventually published his reflections in book form.

Website Book corner Blog

FAQ

Short answers to the most common questions (customizable).

Is the book more historical or more philosophical?

Both — it’s an epic, historically grounded period novel that sharpens philosophical questions at every stop (meaning, morality, power, compassion). The story carries the ideas — not the other way around.

Are there religious themes or sensitive content?

Yes: the book touches on conflicts of faith, religious fanaticism, and themes of morality & violence. If these topics weigh heavily on you, please read with appropriate care.

What is it about — without spoilers?

A man who puts order above everything makes a decision in Jerusalem that turns him into an eternal wanderer. On his journey through the centuries he watches how certainties shape people — and how rarely compassion succeeds in the middle of ideology.

Who is “Ahasver’s Journey” especially for?

For readers of literary fiction with depth, fans of historical material, myth retellings, and anyone who enjoys thinking about the meaning of life, the image of the human being, and responsibility — especially also for reading groups.