New: Essays on Germany today • provocative & affectionate

A nation that seems to love its defeats — why?

Germans seem to love their defeats the way other nations love their victories. This book dissects the dilemma of an entire culture: a blend of perfectionism and self-critique, of historical obsession and present-day paralysis — written as a loving autopsy: incisive without coldness, ironic without cynicism.

It is diagnosis with heart: critique without contempt — and an almost darkly funny love letter to a country that has turned self-destruction into an art form. Ideal for: Essay loversSociology & Cultural StudiesCivic educationBook clubs

Keywords: Germany • German dilemma • German neurosis • self-sabotage • coming to terms with the past • identity crisis • collective psychology • cultural critique • essay

Why this book?

Therapy as literature, social critique as an act of love — sharp, ironic, humane.

🧠 A social psychoanalysis

The German soul as a case study: perfectionism, self-criticism, and paralysis by analysis.

🪞 Self-sabotage, explained

Why are successes viewed with suspicion, defeats cultivated — and guilt turned into a way of life?

🧪 Precise & accessible

Theoretical reflection meets vivid examples — readable without becoming simplistic.

🗣️ Satirical commentary on our times

Ironic without cynicism: incisive, sometimes exaggerated — but always close to the truth.

🏛️ Identity & dealing with the past

Historical guilt, “Sonderweg”, cultural neurosis: how the past becomes a refusal of the present.

📚 Made for discussion

Perfect for reading groups, seminars, civic education: questions, theses, friction.

Sample

A short taste — to get a feel for tone & theme.

Excerpt (teaser)

Germany is a country that wears its neuroses like state decorations. A people of self-destroyers who cultivate their defeats and forget to live.

These provocative essays analyze the German soul with surgical precision — that strange mixture of perfectionism and self-hatred, of historical obsession and present-day paralysis. The guiding questions: Why do Germans sabotage their own successes? Why does “coming to terms with the past” become a philosophy of life?

"There are peoples who wear their history like a coat—dignified and taken for granted. And there are those who drag it like a millstone around their neck, groaning under the weight of bygone eras. The Germans undoubtedly belong to the second category, with the remarkable habit of chiseling additional stones out of that millstone to make life even heavier for themselves. One might call this a special kind of creativity, if it weren’t so tragically productive in its destructiveness. The present inquiry attempts to get to the bottom of this peculiar phenomenon. The author—himself part of this people—knows he is stepping onto terrain criss‑crossed by minefields of ideological and personal sensitivities. But what would the German soul be without its abysses, what would the German mind be without its self‑torment? It is as if Goethe wrote his Faust not as a warning, but as a user manual for an entire nation. The pact with evil was sealed long ago—only Mephistopheles has meanwhile taken the shape of the collective superego that whispers tirelessly: You are not good enough, you never were good enough, you never will be good enough
Indeed, it seems as though the Germans have developed a kind of national neurosis that expresses itself in periodic fits of self‑hatred and self‑destruction. What is striking is the thoroughness and system with which this people goes about dismantling itself. Other nations may have their dark chapters, but they know how to store them in the cellar vaults of memory and build a new floor on top. The Germans, by contrast, have turned their cellars into a shrine before which they kneel daily to atone for sins that have long since crumbled to dust—while at the same time committing new sins in the name of purification. "

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Reviews

 

“On point, provocative, and surprisingly tender — you feel caught out and still have to laugh.”

— Review / blog

“A rare balance: intellectual sharpness without coldness, irony without cynicism.”

— Press review

“Perfect for discussion: identity, guilt, self-critique — and the question of what makes renewal possible.”

— Readers Voice

About the author

More background, essays, and books: alterstorheiten.info

Hermann Selchow

Born in 1956. Since his youth he has been fascinated by social questions and philosophical concepts. For many years he worked at a well-known German theater and engaged with the intellectual currents of different eras. Later he moved into other professional fields — and eventually published his reflections in book form.

Website Books Blog

FAQ

Short answers to common questions (editable).

Is the book more academic or more literary?

These are essays with a literary voice: analytical and pointed, but deliberately readable — with irony, imagery, and sharpened observations.

Is it about party politics?

The focus is on mindset, culture, and collective psychology. Political topics appear as symptoms and examples, not as a call to vote.

Who is “Germany — A Nation in a Dilemma” especially for?

For readers of social critique and diagnoses of the present; for those interested in sociology/cultural studies; for educators, journalists, and book clubs.

Is the tone harsh or conciliatory?

Both: sharp in diagnosis, but without contempt. The text criticizes — and still remains (almost) a love letter.